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Association de Geston International Collective des Oeuvres Audiovisuelles (AGICOA) meaning

What does Association de Geston International Collective des Oeuvres Audiovisuelles (AGICOA) mean?
AGICOA is an international collective management organisation that, on behalf of producers and other rightsholders in audiovisual works, licences and collects royalties for secondary uses such as cable, satellite and IPTV retransmission, simulcasting and certain catch‑up TV services, and then distributes those royalties to its mandated rightsholders. It is a non‑profit association headquartered in Geneva. Formally named Association de Gestion Internationale Collective des Oeuvres Audiovisuelles (commonly, AGICOA; in English, the International Collective Management Association for Audiovisual Works), it operates through mandates and reciprocal agreements with local CMOs and platform operators in multiple jurisdictions. The term is not defined in UK or Irish legislation or case law; it is the recognised name of a CMO frequently encountered in copyright and media‑rights practice. In Ireland (as an EU Member State), cable and certain simultaneous retransmissions are subject to mandatory collective management under the EU Satellite and Cable regime, in which AGICOA participates via representation arrangements. In England & Wales, Scotland and Northern Ireland, retransmission is governed by domestic copyright law post‑Brexit; AGICOA’s practical role is typically to collect and distribute royalties for UK and Irish rightsholders when their works are retransmitted abroad and, where applicable, for uses licensed in the UK via partner CMOs...
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View the related Practice Notes about Association de Geston International Collective des Oeuvres Audiovisuelles (AGICOA)

PRACTICE NOTES
Glossary of UK Film and Television Legal and Regulatory Terms: A–B

For other frequently used film and TV terms, see the following: Film and TV glossary C–D Film and TV glossary E–H Film and TV glossary I–L Film and TV glossary M–P Film and TV glossary R–S Film and TV glossary T–W Abandonment When a commissioning producer acquires takeover rights and, then or later, at any time, decides in their sole and absolute discretion that completing the film is not financially viable, they may, by notice in writing, delivered to the film production company itself, formally declare the production of the film abandoned and thereby bring the film’s production to a formal end. Acquisition agreements These agreements are intended for use in circumstances where a company obtains from the film’s owner rights across multiple separate media for a specified territory. See: Acquisition agreement—film—rights in a number of separate media for a designated territory—owner of film: Encyclopaedia of Forms and Precedents [58]. Advertising Standards Authority (ASA) ...

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