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United Kingdom
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Motion Picture Licensing Company (MPLC) meaning

What does Motion Picture Licensing Company (MPLC) mean?
In legal practice, the motion Picture Licensing company (MPLC) is a private copyright-licensing agency that supplies blanket public performance licences for non-theatrical screenings of films and television programmes on behalf of numerous producers and distributors. The term is descriptive rather than defined in legislation or case law. Its core product is the annual Umbrella Licence, which permits unlimited showings, in premises other than private homes and cinemas (for example offices, schools, universities, nurseries, hospitality venues, clubs, care homes, hospitals, places of worship and ships), of works within MPLC’s represented repertoire. Coverage typically applies regardless of format (broadcast TV, DVD, download or streaming), but is subject to exclusions, such as publicly advertised, ticketed or cinema-style screenings and titles outside its catalogue, which may require title-specific licensing. The legal basis is the public performance right under the Copyright, Designs and Patents Act 1988 (UK) and the Copyright and Related Rights Act 2000 (Ireland). Usage and scope are broadly consistent across England & Wales, Scotland, Northern Ireland and Ireland, with local MPLC entities administering rights. An MPLC licence does not authorise copying or distribution, override platform terms of use, or replace other necessary permissions (for example, a TV Licence for live broadcasts or separate music...
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PRACTICE NOTES
UK Film and Television: Legal, Regulatory and Industry Glossary (M–P)

For more common film and TV terms, see: Film and TV glossary A–B, Film and TV glossary C–D, Film and TV glossary E–H, Film and TV glossary I–L, Film and TV glossary R–S, Film and TV glossary T–W. Meme An image, video, snippet of text, or similar item that satirises or amuses, typically spreading rapidly online, with users often adapting or varying it as they share it on. Mime Within copyright law, mime is treated as a form of dramatic work. Moral rights Under the Copyright, Designs and Patents Act 1988 (CDPA 1988), authors are granted personal rights (moral rights) that sit alongside, but separate from, their economic rights. Whereas copyright concerns financial interests, moral rights protect the author’s public reputation and the integrity of the work linked to them. the right to be named as author or director (the right of paternity) the right to object to derogatory treatment of a work (the right of integrity) the right...

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