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Near video-on-demand (NVOD) meaning

What does Near video-on-demand (NVOD) mean?
near video-on-demand (NVOD) describes a pay‑per‑view service in which the same programme is transmitted on multiple linear channels at staggered start times (commonly every 10–20 minutes), allowing viewers to begin viewing almost at a time of their choosing. The term is not defined in UK or Irish legislation; it is a descriptive industry/regulatory expression used to distinguish NVOD from true on‑demand programme services (ODPS), where the viewer controls the start time individually. In practice, NVOD delivered as scheduled channels is typically treated as a broadcast (linear) service: in the UK this generally requires appropriate Ofcom licensing (for example, a television licensable content service) and compliance with broadcasting rules on standards, advertising and protection of minors. In Ireland, comparable authorisation and standards oversight apply under the AVMS framework overseen by Coimisiún na Meán. If the service is provided as an ODPS, the ODPS notification and on‑demand rules apply instead. NVOD is commonly used for films and premium events and usually operates on a pay‑per‑view business model with encryption/conditional access. Key legal issues include rights clearance for NVOD windows, carriage and EPG placement, pricing transparency and consumer protection, age‑verification and watershed compliance, and geo‑rights. Usage and regulatory approach are broadly consistent across England &...
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View the related Practice Notes about Near video-on-demand (NVOD)

PRACTICE NOTES
UK Film and Television: Legal, Regulatory and Industry Glossary (M–P)

For more common film and TV terms, see: Film and TV glossary A–B, Film and TV glossary C–D, Film and TV glossary E–H, Film and TV glossary I–L, Film and TV glossary R–S, Film and TV glossary T–W. Meme An image, video, snippet of text, or similar item that satirises or amuses, typically spreading rapidly online, with users often adapting or varying it as they share it on. Mime Within copyright law, mime is treated as a form of dramatic work. Moral rights Under the Copyright, Designs and Patents Act 1988 (CDPA 1988), authors are granted personal rights (moral rights) that sit alongside, but separate from, their economic rights. Whereas copyright concerns financial interests, moral rights protect the author’s public reputation and the integrity of the work linked to them. the right to be named as author or director (the right of paternity) the right to object to derogatory treatment of a work (the right of integrity) the right...

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