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Phonographic Performance Limited (PPL) meaning

What does Phonographic Performance Limited (PPL) mean?
In legal practice, Phonographic performance Limited (PPL) is the UK collecting society that licences the public performance and broadcasting (communication to the public) of sound recordings and distributes royalties to performers and recording rightsholders (record companies/producers). PPL itself is not defined in legislation, but the rights it administers arise under the Copyright, Designs and Patents Act 1988, including the communication to the public right in sound recordings and performers’ equitable remuneration. PPL licences recorded music used in public spaces and workplaces, and by radio, television and certain online services in the UK. Since 2018, day-to-day public-premises licensing is provided through PPL PRS Ltd under The Music Licence, while PPL continues to licence broadcasters and relevant online uses and to collect and pay out neighbouring rights income, including international collections via reciprocal agreements. For England & Wales, Scotland and Northern Ireland, the term and its operation are consistent. In Ireland, the equivalent body is Phonographic Performance (Ireland) Limited (PPI), operating under the Copyright and Related Rights Act 2000; references to PPL ordinarily relate to the UK regime. Practically, clients who play recorded music or broadcast it must obtain the appropriate PPL/PRS licences to avoid infringement and ensure correct royalty distribution.
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View the related Practice Notes about Phonographic Performance Limited (PPL)

PRACTICE NOTES
UK Film and Television: Legal, Regulatory and Industry Glossary (M–P)

For more common film and TV terms, see: Film and TV glossary A–B, Film and TV glossary C–D, Film and TV glossary E–H, Film and TV glossary I–L, Film and TV glossary R–S, Film and TV glossary T–W. Meme An image, video, snippet of text, or similar item that satirises or amuses, typically spreading rapidly online, with users often adapting or varying it as they share it on. Mime Within copyright law, mime is treated as a form of dramatic work. Moral rights Under the Copyright, Designs and Patents Act 1988 (CDPA 1988), authors are granted personal rights (moral rights) that sit alongside, but separate from, their economic rights. Whereas copyright concerns financial interests, moral rights protect the author’s public reputation and the integrity of the work linked to them. the right to be named as author or director (the right of paternity) the right to object to derogatory treatment of a work (the right of integrity) the right...

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PRACTICE NOTES
UK music collecting societies: legal framework and regulation, PRS and PPL operations, PPL PRS Ltd/TheMusicLicence, multi-territory online licensing, and practical points for rights holders and licensees

This Practice Note examines music collecting societies, which may operate as ‘licensing bodies’, and/or ‘Collective Management Organisations’ (CMOs). It outlines: the rationale for music collecting societies; how collecting societies work; and the regulation applicable to music collecting societies. It then supplies details on PRS for Music (PRS) and Phonographic Performance Limited (PPL) (covering their members and the rights they administer), as well as the joint venture PPL PRS Ltd and TheMusicLicence. This Practice Note sets out practical matters to bear in mind when dealing with music collecting societies. The need for music collecting societies and the legal framework The proprietor of copyright in a creation such as a musical work or a sound recording is entitled to authorise or prevent certain restricted acts. In the UK, those acts are listed in Chapter II of the Copyright, Designs and Patents Act 1988 (CDPA 1988). The restricted acts include the right to reproduce the work, to perform or play the work in public, and to communicate the work to the...

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